GEGENPROBE
A supplier's new bank details arrive by email. Before the payment run, GEGENPROBE asks every bank who owns the account – and stops the one payment that doesn't match. With German narration.
GEGENPROBE is a fictional software that checks who owns each recipient account before every payment run. The film shows in 35 seconds why that matters. Here you can see how it was made.
A supplier's new bank details arrive by email. Before the payment run, GEGENPROBE asks every bank who owns the account – and stops the one payment that doesn't match. With German narration.
Concept film, not a client commission. Companies, IBANs and amounts are invented.
A supplier announces new bank details and accounts payable enters them. On Friday 64 payments go out, one of them €48,300 to an account that doesn't belong to the supplier. The sender's address was faked: “rn” instead of “m”.
The question for the film: how do you make an invisible risk visible in seconds? The answer: viewers look for the mistake themselves – and only find it when the software shows it.
buchhaltung@rnoorbeck-stahlbau.debuchhaltung@moorbeck-stahlbau.deThis is what the scene plan you receive for free before we start looks like: what is shown when, and what is said. Animation only starts once it fits.
| Time | Picture | Narration (translated from German) |
|---|---|---|
| 00:00 | A dark background. Two addresses shoot in from left and right, a scan sweeps across, the camera dives at “@moorbeck” and “@rnoorbeck”. | “One is real. One is fraud.” |
| 00:01 | Thursday, 16:02. The email in the inbox; the new IBAN is selected and copied with Ctrl + C. | “Thursday. New bank details from the supplier.” |
| 00:04 | The IBAN flies as an object into the supplier's master data. Saved at 16:04. | “Entered. Routine.” |
| 00:07 | Two blue bars wipe across the frame and the beat kicks in: Friday. A wall of 64 payments. | “Friday. Sixty-four payments.” |
| 00:09 | A click on “Release payment run”. In every row, invoice and bank slide into a blue “=” – faster and faster, on the beat. | “Before every payment, Gegenprobe asks the bank: who owns the account?” |
| 00:14 | Payment 41 stops. The two layers bounce apart, the light turns red, the music cuts out. | “Not the supplier.” |
| 00:15 | The detail view shows the findings: no match at the bank, IBAN changed yesterday, source an email. | “The IBAN came by email. From a fake address.” |
| 00:18 | The two addresses slide on top of each other. Everything lines up except “rn” and “m”. | “One letter.” |
| 00:21 | A call-back using the number from the master data. It rings, the supplier picks up. | “A call-back to the real supplier.” – Supplier: “No, we haven't.” |
| 00:24 | “Stop payment”. 63 payments have gone out, one is stopped. | “€48,300 stay with you.” |
| 00:27 | The bars “Invoice” and “Bank” condense into the Gegenprobe mark. | “Gegenprobe. Checks who owns the account. Before every payment.” |
| 00:32 | Signed FORMFOLGE. | – |
Before anything moves, 3–6 key frames set colour, composition and look. GEGENPROBE had six.

Two addresses, one is fraud. Viewers start searching from the first second.

One click, Ctrl + C: the mistake starts as routine.

Invoice and bank become a “=” – row by row, on the beat.

Payment 41 doesn't fit. The light turns red, the music cuts out.

The answer to the hook: only “rn” and “m” differ.

63 payments out, one stopped. €48,300 stay in the company.
The film opens with a question, not a promise. Whoever looks for the difference keeps watching – and experiences the mistake before the software reveals it.
Inbox, master data, payment run, findings: every scene shows a real interface, filmed like an object in space. That makes the product tangible.
Every checked payment is a beat. At the stop everything cuts out – the silence says more than any alarm.